Exhibition — Installation, Video | Film

Mountains and Molehills – Fiona Tan

2 October 2022 up to 8 January 2023
→ Eye Filmmuseum
IJpromenade 1
1031 CK Amsterdam
  • Monday 12:30—20:00
  • Tuesday 12:30—20:00
  • Wednesday 14:00—20:00
  • Thursday 14:00—20:00
  • Friday 14:00—20:00
  • Saturday 11:30—20:00
  • Sunday 11:30—20:00
With ticket
Open today from 12:30 to 20:00

2 October 2022 — 8 January 2023

Fiona Tan is known for her video and film installations in which she explores memory, history, globalisation and the role of images.

This exhibition is a journey through a selection of works from her oeuvre, in which the passing of time and the role of the landscape as a mental space are recurring themes.

The exhibition focuses on Gray Glass(2020) and Inventory (2012), and the new work Footsteps (2022), which Fiona Tan made at the invitation of Eye. These video installations explore the connections between landscape, environment and humankind, and also the relationships between image, maker and viewer.

For Tan, time is both a medium and a vehicle. It is a material that she studies, shapes and processes into artworks – often in combination with still and moving images. The artist observes a critical yet poetic gaze at forms of perception and representation. How do you make a true or honest portrait of an individual, a community, a place or a time?

Fiona Tan, Gray Glass (2020), still, 3 channel 4K video installation, black & white, 3 x mono, courtesy the artist and Frith Street Gallery, London

New work: Footsteps

In Footsteps, her latest work, Fiona Tan creates connections between personal stories and the world around us. She makes use of material found in the Eye collection – forgotten documentary footage from the early days of silent film revealing scenes of the Netherlands as it was more than a century ago.

The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.

Fiona Tan, Footsteps (2022), still, HD video installation, tinted, hand coloured and b&w, 5:1 surround, courtesy the artist and Frith Street Gallery, London

Footsteps is 97 minutes long and is screened daily at 10:30, 12:10, 13:50, 15:30 and 17:10 in the exhibition.

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