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Exhibition — Other

Female Fatigue | Melissa Gordon, Dina Danish, Peggy Franck & Erika Peucelle

Date:
30 May up to 2 June 2024
Location:
→ Stigter van Doesburg
Elandsstraat 90, Amsterdam, Nederland
1016 SH Amsterdam
Open:
  • Wednesday 12:00—18:00
  • Thursday 12:00—18:00
  • Friday 12:00—18:00
  • Saturday 13:00—18:00
Admission
Free admission
Starts 30 May

Melissa Gordon American and British artist Melissa Gordon makes larger than scale paintings with a special focus on body, consumption, gender, feminism and the act of painting. With a playful and critical touch, the artist questions the value of gestures in all its liquidity and multitude of layers – oscillating between figuration and abstraction, surface and depth, the visible and the hidden, the réal reality and the pictorial world, presentation and representation.

Dina Danish is an Egyptian artist and teacher. Dina’s work is inspired by overlooked historical moments, by language and structure, incorporating humour and misunderstandings. Dina recently curated an exhibition with the Rijskakademie collection in honour of its 150th anniversary.

Peggy Franck: Peggy Franck is known for the photographs, taken inside her studio, of abstract still lifes made from everyday found objects. She variously hangs these images on the wall, leaves the prints rolled up on the floor as sculptures, or presents them alongside installations of similar arrangements. Franck’s compositions are careful constructions of abstract shapes and recognizable materials, gestural forms, and geometric arrangements. With these works, she began a train of thought that would extend through her other bodies of work: that of manipulating perceptions of space in two and three dimensions. In addition to photography, sculpture, and installation, her practice is ever-expanding to include new mediums.

Erika Peucelle: is a croatian artist who graduated at KABK in 2023 at the Royal Academy of Art, in The Hague. Peucelle’s themes move around the nuances of private and public gatherings, intimacy and boredom. She adapts her process and way of working to that of the content-saturated – overstimulated Instagram generation. Translating endless scrolls through fast, rough, and sketchy manners of expression and redefines the meaning of time-laborious painting.